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the thing is that Wilson seems to not be particularly well-versed in film criticism, which when criticizing a film of the Odyssey is more important than knowledge of the Odyssey.

Eric 👨🏻‍💻

This passage makes me want to just log off and throw my phone in the river. The discourse on this has officially reached its end

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Ответы

Did a thread on this. Pure pisstake but it boiled down to simply not liking film as an art form. Particularly Nolan’s way if film making. Which is fine. Different strokes. But it is weird for her to be booking film review gigs.

Ответ для darcyswickham

It would be weird, IF the goal was getting the best review vs the most clicks

film criticism matters more than source material knowledge sometimes

I don't really disagree with her general take. The Odyssey has awesome moments but it's a bit of a slog. But her review, even more than the film, is both rather incoherent and definitely too long.

The idea that there is such a thing as "domain knowledge" is more controversial than it should be.

Ответ для Matt Darling

My domain knowledge: rigorous, objective and extremely valuable to society. Has a lot to offer policymakers. Your domain knowledge: chart perversion and neoliberal propaganda. Easily disproven by the campaign slogan of someone who will have a "why I left the left" podcast before the decade is over.

She has some interesting points! But then when she tries to do critique of the film itself she seems to go off the rails

Ответ для Bring Back The Twin Star Rocket

Yeah, like I find her input interesting but it doesn't really impact my feelings about the film. Turns out something can be big, visually rich, kinda dumb, but also thought provoking. It's a strange world.

Ответ для Bring Back The Twin Star Rocket

I haven’t read this article or her longer review so I don’t know how accurate my estimation of her criticism is, but like, “the dialogue and imagery of the movie convey contrasting messages” isn’t actually a bad thing and she seems to think it is? Her problem seems to be that it’s a blockbuster.

the kid writes

Re: Wilson’s review of The Odyssey, it’s screamingly obvious that both a) you should have the classicist who wrote the definitive translation review the move and b) being the classicist who wrote the definitive translation doesn’t make you in any way qualified to review a movie

Would we still be talking about it if the translator was a man? Like fine, people didn’t like her review. Who cares?

Ответ для Kieran, she/her

this is a new article.

Getting someone with expertise to write scattershot about something tangentially related is what makes it the perfect Atlantic article.

I had a lot of sympathy for a heartfelt expert whose translation clearly informed the movie but nevertheless seemed to misunderstood that when you make a movie you can magnify or shrink the fictional emphasis on a character or a theme, or even change those things, and still have a great movie!

Ответ для Brandon Downey

Maybe even *especially* when you change those things, since some characters, themes, and stories suit a visual media, whereas they work differently when read. Or sung!

Ответ для Brandon Downey

I really do think that her reaction was very much a fandom reaction but amplified by her substantial intelligence and the sheer intelligentsia clout that comes with being an expert in ancient texts and not star trek

Which would be blindingly obvious the other way around as well; you wouldn't get Nolan to review a novel on film-making! But classics/literature is viewed as the "superior" artform and therefore it's allowed to comment on the clearly inferior filmmaking